

CELFrame by Frame
Hand-drawn animation for commercials, game cinematics, title sequences & music videos. Pencil tests to polished composites — every frame a small miracle.
The Desk Drawer
Portfolio cards annotated with festival selections. Blog entries woven between — director's commentary on the work.

On Smear Frames & the Illusion of Speed
How a single distorted drawing between two extremes can sell the weight of a punch, a leap, or a rubber-band snap that no digital motion-blur ever quite captures.

Ember & Ash — Game Cinematic

Oat & Honey — :30 Spot

Eleven Months: The Production Diary of a Two-Minute Short
From first thumbnail to final export — the timing charts, the 3am pencil tests, the moment the movement finally clicked. A full production post-mortem.

Neon Psalm — Music Video

Watershed — Title Sequence
Reading a Spacing Chart Like a Musician Reads a Score
The timing chart isn't a technical document — it's a performance notation. Here's how I think about ease-in, ease-out, and the dramatic pause before impact.

Student Reel — NFTS Graduation

Volta — Brand Identity Animation
Weight & Follow-Through: The Eleven Principles I Actually Use
Disney's twelve principles are foundational, but in practice I find myself reaching for the same handful again and again. Here's my honest shortlist.

Moth & Flame — Festival Short
The
Process

“The rough isn't a draft — it's the performance. Cleanup is just calligraphy.”
Thumbnail & Timing Chart
Every project starts analog — rough thumbnails on bond paper, a timing chart mapped out in pencil. The rhythm of the piece lives here before a single clean line is drawn.
Pencil Test & Rough Pass
Loose, expressive rough animation shot on a lightbox. This is where the weight and follow-through are found — not in cleanup, but in the wobble of the rough.
Clean-Up & Composite
Final line work on a separate layer, then composited with color, effects, and sound. The paper grain stays — it's part of the texture, not a mistake to be corrected.
Let's Animate
Something
Tell me about your project. I'll respond within 24 hours with thoughts, questions, and an honest sense of whether we're a good fit.
Subscribe to the Desk Drawer
Monthly dispatches on spacing charts, smear frames, production diaries, and the occasional pencil-test timelapse.
Ready to animate something?
11 festival selections · 60+ projects · Available now